- Your Content Should Sell
- Posts
- I Almost Killed A Good Ad Because I Loved The Wrong Feature
I Almost Killed A Good Ad Because I Loved The Wrong Feature
The hardest skill in advertising is getting your own taste out of the way.
I fell in love with a specific product feature once and almost killed the ad because of it.
It was a feature I thought was genius.
The kind of thing I would tell my friends about. I wanted it to be the headline. I wanted everyone to see what I saw.
And the ad we built around it did nothing.
The problem was not the product.
The problem was that the ad was about what I wanted.
About what I loved.
And it was not for the person who was supposed to buy it.
You Are Not The Judge
Everyone gets excited about selling their product. That excitement is the reason it exists. You built it because you loved it and believed it needed to be in the world.
But you do not get to decide if it deserves to exist. The customer does. The market does.
This is the part founders forget the second they start making ads. We look inward. We talk about why our product is great. We assume we beat our competitors. We get protective of the feature we personally love. And without noticing, we make the ad about us.
The hardest skill in advertising is killing your own bias. Setting down your story about why the product works and getting genuinely curious about why other people like it.
Most brands say they care about this. "We need to talk to our customers." Then they never do. They say they are listening and never check. That gap is where bad ads come from.
The questions that matter are not about you. How does the product make them feel. What does it actually fix in their life. What words do they use, not the words you use. The feature you are proudest of might not be the thing the market cares about. If that is true, it has no business being your headline.
Get Specific Or Get Ignored
Once you are thinking like the customer, the next move is to stop speaking in general.
General ads make the audience do the work. "This helps you," and you hope the right people self-select in. They mostly do not. The ad that converts names the person. It names the exact problem. It makes one specific human feel like you are talking only to them.
We have a brand right now with a single product. Instead of one ad that says "this helps you," we mapped how that one product fits into the lives of completely different people. We found close to 46 situations it helps with, across different life stages, then grouped those into personas.
One angle speaks to parents whose kids have ADHD. Another to men who want better sleep, which ties to testosterone and recovery. Another to people managing anxiety or other forms of neurodivergence. And inside each of those there is more. The "male" angle alone splits into a sleep version and a biohacker version, because those are two different people who want two different things.
We want each of them to feel heard. We do not want them doing the work of figuring out if this is for them. We do that work inside the ad.
The bonus is that hyperniche targeting is a creativity engine. There are only so many ways to say "sleep better" before you run dry. Once you are calling out specific people in specific moments, the angles multiply on their own.
And you should not be scared of narrowing. Meta is good at delivery. Barring some strange manual targeting you set up, which you probably should not be doing anyway, the right message finds the right person. A menopause angle is not going to a 25 year old guy. A parenting ad is not landing on a single 22 year old. The platform sorts it out. Your job is to hand it sharp, specific creative to sort.
Match The Page To The Ad
We spend so much time hunting for new styles, new angles, new personas in the creative. Then we dump all of it onto the same landing page or product page.
That throws away the entire point.
You did the research. You learned how this product helps a parent whose kid has ADHD. You wrote the specific ad. The person stops, feels seen, and wants to go deeper. The next thought after a great ad is "I want to understand how this helps with my exact problem."
If that specific ad sends them to a general page, one that gestures at some of the benefits but speaks to everyone at once, you lose everything that made the ad work in the first place.
So we started carrying the research the whole way through. The same persona work that built the ad now builds the page. Same person, same problem, same feeling, start to finish. It drives a deeper connection with that message and that creative angle instead of dropping the thread the moment they click.
When the ad is built for the customer instead of for you, the page can be too. Keep that focus from the first impression to the final scroll and you sell better at every step.
What To Do With This
Take your one product and do not write a single ad yet. Open a doc and list every distinct situation where it genuinely helps someone. Push past five. Push past ten. Name the person, name their stage of life, name the exact problem.
When the list gets long enough that it feels almost ridiculous, group it into personas. That list is your creative roadmap for the next quarter. You will never run dry on angles again, and not one of them will be about you.
Keep creating!
Matthew Gattozzi
Get a free assessment with Goodo Studios
My team and I create hassle-free creatives for consumer brands. If you are thinking about getting content, let’s set up a chat.
Content you should watch
Did you know we had a podcast called In the Cutting Room. Episodes drop every Monday. Make sure to listen to it on Apple, Spotify, or Youtube